The Daily Quarterly: What made you want to get into show business?
Pilar Holland: As a child, I didn’t know how to express myself. I had a huge emotional well and no outlet. I was very shy and couldn’t connect with people on a deeper level. I wanted the chance to learn how to do that. In college, when I realized that it was something I could actually do well, that’s when I knew it was my aspiration to explore life and all the different experiences that can be had and share those experiences with audiences.
TDQ: Who was your favorite actress growing up?
PH: My favorite actress growing up was Shannen Doherty. There’s going to be a theme here. I was a HUGE fan of “Beverly Hills, 90210” and the movie “Heathers.”
TDQ: What was your favorite TV show growing up?
PH: And here it is!! (drumroll) My favorite TV show growing up was “Beverly Hills, 90210.” I wanted to live in their world and that’s really what first piqued my interest in becoming an actress. I dreamt about living on that campus and wished I could create an alternate life and do so.
TDQ: What is the best advice you have ever gotten?
PH: The best advice I have received was from my acting teacher Stuart Rogers—who taught me the distinction between being what we think a casting director wants, and what a casting director really needs. We must present our rawest, most honest selves, and let them take it or leave it.
TDQ: What is the worst advice you have ever gotten?
PH: One thing I remember a girlfriend telling me once was that if you don’t make it by the time you’re 22, you’re not going to make it at all. And that simply isn’t true. I always tell people you don’t become a doctor overnight. So, why should a career in the arts be any different? It takes time to build a career. You need training and experience.TDQ: Who are your influences?
PH: I’ve always admired Cate Blanchett and over the past few years I’ve become a huge fan of Brie Larson’s career. Some of the projects they choose have so much weight in social relevance and they have been able to create such empathic characters in their process.
TDQ: Tell us about working with ultra creator and show runner Shonda Rhimes on “Grey’s Anatomy” and “Scandal.”
PH: I actually haven’t had the opportunity to officially meet the woman behind it all. She does have final say on everything. So, I know she’s seen my work and continually hires me. Linda Lowy casts all of Shonda’s shows and they regularly bring me to audition for her projects. Once you’ve become a part of the Shonda Rhimes family, they really do bring you into the fold. One of my favorite acting moments thus far was working with director Tom Verica on the set of “Scandal.” He is one of my favorite directors I’ve worked with and I hope I get to do it again soon.
TDQ: You’ve also appeared on half hour sitcoms like “Young and Hungry” and “Happy Endings.” What’s the biggest difference between working on those and full hour-long dramas?
PH: Well, there’s a huge difference between multi-camera sitcoms and dramas. Those two shows you mentioned were actually single camera sitcoms and not that different from working on dramas, besides the content of course. On a multi-cam set you rehearse the show for four days prior to filming. The script is constantly being altered as the writers are seeing how jokes land and play out during the rehearsal process. Then when we do film, there are multiple cameras filming different angles at the same time versus on a single camera sitcom and drama, they only use one camera for filming.
TDQ: What project(s) are you working on next?
PH: I’m starring in a play “A Feminine Ending” right now. It’s my theater debut! I’m very excited to share my art and the story with audiences. The subject is very timely and relevant. It’s about gender norms and the societal rules we are boxed and categorized into, and learning how to navigate outside of those boxes. We run through December 2nd, Friday and Saturday nights 8pm at Stuart Rogers Studios. We’ve already gotten a few rave reviews.
TDQ: Where do you see yourself and your career in five years?
PH: In five years, I see myself as the lead on my own television series. Hopefully with the opportunity to film indie movies in between seasons. That’s the game plan!
Be sure and follow Pilar on Twitter and and like her Facebook page.
He won both an Emmy Award and a Golden Globe for playing Higgins. He also appeared in such TV shows as “Wonder Woman,” “Hawaii Five-O” and “The Bob Crane Show.”
In the big screen, Hillerman appeared in the films “They Call Me Mister Tibbs!” “Blazing Saddles,” “RECOiL” and “A Very Brady Sequel.”
He is survived by one sister.
Not surprisingly, the Trump administration, despite telling the world he will comply with Grumpy Old Man in Chief and Butt Toucher in Chief Bush 41’s 1992 mandate and release all of the government’s JFK assassination documents, went back on their word and didn’t release all of the documents, instead telling folks that he is giving government agencies another 180 days to go through all these papers that they had 25 years to review.
What this really means, of course, is that you people will have to wait until April for the American government to finally confirm what we here at The Daily Quarterly told you years ago: that Joe DiMaggio had Kennedy killed.
We can neither confirm nor deny that the Trump administration, or any other presidential administration from the past 50 years, have contacted TDQ Headquarters to “discuss” our findings and our “sources”. Let’s just say that we took a major risk telling you jokers this information, but that’s how we roll here. You all know this by now.
We would be failing not only you, our readers if we failed to produce the information we have obtained, we would be failing ourselves as journalists. And we’ll be damned if we prove to our journalism teacher that he was right. Not a chance in hell.
So just know that when we tell you that Joe DiMaggio, yes, that Joe DiMaggio, had JFK killed. And you will have all the supporting documents you’ll need once this administration fulfills its promises and releases the paperwork. We seem to recall this was a major campaign promise last year, and we’re sure going to hold this man’s feet to the fire to keep that promise.
And we’ll look a little bit smarter than you already make us look.
You are now informed. Go and do likewise.
Best known for his Emmy-award winning work playing Benson DuBois, first on “Soap” in the late 1970s, then on his own series, “Benson,” which ran from 1979 to 1986, Guillaume also appeared in such TV shows as “Sports Night,” and “The Robert Guillaume Show.”
On the big screen, Guillaume was in such films as “Lean on Me,” “The Lion King” as the voice of Rafiki, “RECOiL” and “Big Fish.”
He is survived by his second wife, Donna, three daughters and one son. He had one other son who died in 1990.